SWAN LAKE ROCK OPERA,THE NEW POP ROCK MUSICAL & SEXY EXTRAVAGANZA

THE SHOW WILL GO ON!

POSTPONED BY THE PANDEMIC IN MARCH 2020

SWAN LAKE ROCK OPERA ANNOUNCES ITS RETURN TO NEW YORK at  AT ACTORS TEMPLE THEATRE, RUNNING EVERY THURSDAY AT 7 PM BEGINNING OCTOBER 14, 2021.

THE DAZZLING NEW VERSION OF TCHAIKOVSKY’S LEGENDARY MUSIC IS ABOUT MONEY, LOVE AND TITLES AND FOLLOWS THE ROYAL PLAYBOY CROWN PRINCE “ZIGGY” SIEGFRIED IN HIS SCANDALOUS SEARCH FOR THE IDEAL BRIDE.

THIS SEXY NEW MUSICAL PUTS MONEY, LOVE AND TITLES ON THE LINE.

 

 

Clockwise from bottom: Ellie Kadosh, Addi Gefen, Mai Ofri and Eden Azar – Photo Credit: Courtesy Ronen Akerman

(New York, NY) – A dazzling new version of Tchaikovsky’s legendary music is once again preparing to make a splash upon the New York Stage.

 

SWAN LAKE ROCK OPERA, a sexy extravaganza about money, love and titles, featuring book and lyrics by Mirit Shem-Ur, music by Pyotr llyich Tchaikovsky, with additional music by Sharona Pick, is a provocative mashup of classical and modern music, and was slated to run at St. Luke’s in April of 2020, but was postponed as the Covid-19 pandemic brought there theater industry and New York to a sudden halt. Directed by Tsedi Sarfati, SWAN LAKE ROCK OPERA and will run every Thursday at 7 PM  beginning October 14, 2021 through December at Actors Temple Theatre, 339 West 47th Street. Purchase tickets at Telecharge

www.swanlakerockopera.com

“We are so excited to announce that the show will go on,” said the show’s music producer, Sharona Pick. “Our off-Broadway musical is opening after 19 months, and it feels like new Yorkers and tourists alike share my enthusiasm about theater coming back to life!”

The evening before his engagement ball, Crown Prince “Ziggy” Siegfried, is having a hot bachelor party at the Swan Lake Mansion, hosted by the notorious billionaire Von Rothbart. But while Ziggy’s bon vivant noble friends enjoy themselves in the company of Von Rothbart’s sexy mistresses, called swannies, Ziggy is quite depressed. And no wonder…enjoying his status as a popular royal playboy, the young prince is not too enthusiastic about giving up his glamorous lifestyle for the dreary institution of marriage.

With dozens of mega hits to her credit, most of them composed by her ex-husband, the iconic Israeli superstar, Svika Pick, Mirit Shem Ur is one of the most popular Israeli lyricists of all time. The musical Marylou, based mainly on the unbeatable power couple’s mutual songs, had a long run at the National Theatre Habima, a tour in USA, several revivals, a television series, hundreds of Israeli school performances, and is one of the most successful original musicals in Israel. Mirit Shem Ur is also the author of seven novels, having made her first professional breakthrough at the age of 25, when she became a popular columnist in the major Israeli magazine Maariv.

Director Tsedi Sarfati started his career as a child actor at the national Israeli theatre and has performed at all of the leading theaters in Israel. At 30, he started to direct musical theatre and many shows and major events in Israel. He has directed the well-known original musical Bustan Sefaradi (Spanish Garden), written by the fifth president of Israel Mr. Itzhak Navon, that ran for over 2,300 times over almost 20 years at the national Israeli theatre, Habima. He has directed shows in Germany, South Africa and Russia and has directed many TV specials for leading singers in Israel. In 1999, Tsedi was the Director of the biggest international song contest – The Eurovision in Jerusalem. He has directed many international musicals, such as: Joseph and the Amazing Technicolor Dreamcoat, Irma La Douce, Hair, West Side Story, Funny Girl, A Chorus Line, The King and I, andAnnie. Most recently, he was one of the most popular judges on the reality show A Star is Born which runs on one of the most popular tv channels in Israel.

Sharona Pick is an Israeli composer and singer. Together with her sister Daniella, she’s seen meteoric success with the duo’s first mega hit, “This Song”, which she composed. Over the years, Sharona has composed many hits for the duo, herself, and many other Israeli artists.

Women Wonders: Child Of Israeli Music Icons, “Swan Lake Opera’s” Sharona Pick, Pop Star To Theater Lyricist

The cast of SWAN LAKE ROCK OPERA features Kenneth Remaklus, Madeline Lukomski, Jennifer Posie Morrison, John stillwaggon, Maya Murphy, Teddy Calvin, Cameron Cave, Emily Sharik, Chandler Corley-Essex, Caroline Mcfee, Lily Page, and Andrew Cuccaro.

The production is produced by  Barak Gilor and Moshe Noy from Noy Shows Productions and features sound design by Martin Sytems Audio, lighting design by Maarten Cornelis, choreography by Amit Zamir and costumes by Ella Kolesnik. Haim Faliba is the Associate Director.

Tickets are $59.50 and can be purchased on line
at Telecharge at 212-239-6200

They can also be purchased online at www.swanlakerockopera.com.
Group sales are available (for groups of 10 or more).

The running time for SWAN LAKE ROCK OPERA is a swift 90 minutes.

Actors Temple Theatre

Theatre is located at 339 West 47th Street between 8th and 9th Ave. in NYC.

Press Contact: Dan DeMello, 917.981.0344 or danielwdemello@gmail.com

“The Importance of Being Earnestly LGBTQ+” (Now Playing)

Importance of Being Earnestly LGBTQ Tickets Off BroadwayA modern inclusive spin on Oscar Wilde’s classic tale, The Importance of Being Earnest, re-imagined with LGBTQ+ representation.

John “Jack” Worthing loves NYC and Gwyn Fairfax, and he can have both when he assumes the name of his made-up brother, Ernest. When Agernon, “Algy” (John’s best friend) falls in love with Cecil (John’s ward), he too decides to take on the name of Ernest. With John pursuing one man and Algy pursuing another, Lady Bracknell (who happens to be Gwyn’s mother) slowly unravels the odd strings of potential matchmaking. Of course, with two men and one name they share, what follows is a mess of imaginary identities, good natured gossip, and ridiculous romance. The Importance of Being Earnestly LGBTQ+ brings Oscar Wilde’s “trivial comedy for serious people ” to contemporary times with new laughter, color and heart.

“I’m proud to create a world where coming out is never a thing, allowing our heroes to be unapologetically themselves. We will root for each one of them in our own way as we identify their fallible struggles and triumphs as everyone’s allowed to be complete human beings in love.” –Maarten Cornelis

Original February 14th, 1895 Review from Opening Night –
“The Importance of being Earnest, belongs indubitably to the first class. It is delightful to see it, it sends wave after wave of laughter curling and foaming round the theatre…”

Now Playing Tuesdays at 7 PM. Contact Telecharge for Tickets

The Reviews Are Coming In :  Theatre Pizzazz

The Importance of Being Earnestly LGBTQ+

Jul 12, 2021 | Theater

Review By Michael Tingley

While flipping through the program before the show, I stumbled on two quotes that would capture the beauty of this adaptation of The Importance of Being Earnest. The first is from Producer/Director/Lighting Designer Maarten Cornelis, “What if members of the LGBTQ+ community never had to step out of the closet because we never had to be in it in the first place?” The other is from Michael Morley’s bio — who plays the bubbly and wonderfully petulant Cecil Cardew — “Michael Morley is thrilled to make Oscar Wilde even more gay!”

Wilde, as we all know, was born too early, we’re still catching up to him. Morley reminds us that in Earnest, Wilde held himself back to fit the milieu. Cornelis wants to imagine Wilde freed from his time and goes beyond adaptation; Earnestly LGBTQ+ more than places the Victorian Earnest into the present, more than swaps paisley for Pride parades, opium dens for trap-houses, Victoria for Biden, and buttonholed green carnations for mesh tops and death drops. Instead, Earnestly LGBTQ+ imagines if Wilde, equal parts wit and iconoclast, wrote today — what would it be like? It asks, and it answers, fabulously. Let me explain.

First, all the relationships in the play are LGBTQ+. It is not such a simple change as one might expect as the actors are acutely aware. By making Earnest “even more gay” the show reveals how “gay” it was in the first place. The actors have found that the dialogue subtly changes when the relationship is queered, and the players emphasize these nuances wonderfully. Next, no one walks in this show, there’s only strutting (the stomping tantrums of Cecil Cardew being the exception). Lady Bracknell, played by Denise Turkan — think Eastern European/Turkish Devil Wears Prada Meryl Streep — has become Cerberus-like, splitting lines with her two tremendous…assistants? Lovers? It’s unclear but it’s clearly hilarious. J. Mahal and Lyman Heung sass, bend, and seduce their way around the stage.

Playing Miss Prism is the confident and dynamic Lauren E. King. The love affair between Prism and Dr. Chasuble, played by Marie Angelo, is moving in a play that ridicules moving emotions — or any movement at all (“It is awfully hard work doing nothing”). The cynical, if not positively pessimistic, Lane finds multiple facets when played by Alison Wien. The added scene where Mahal and Heung change Lane into Merriman, Jack Worthing’s butler in the country, gives the butlers a sexuality often ignored in other productions.

But if we’re speaking of seduction — and really one can’t avoid it when talking about this show — Kenon Veno is unsurpassed. He plays by far the most dynamic, attractive, (adjectives don’t do the performance justice) Gwyn I have ever had the fortune to watch. The charged scenes between Veno and Preston Fox, as John Worthing, and Michael Morley, Cecil Cardew, should not be missed. Always a favorite of mine, the scene between Cardew and Gwyn in the country garden is the best rendition I’ve seen. Morley and Veno are exceptional together, sharing an energy and play only possible to achieve by actors who love their roles and fit them.

Finally, the outrageous best friends turned brothers, John Worthing and Algernon Moncrieff, played by Preston Fox and Clint Blakely, interrogate, rouse, and trick each other. In most productions, Jack Worthing is an uptight Victorian wrestling with his desires. The Jack in Earnestly LGBTQ+ has to be all that in lace shirts with bleached hair. Fox pulls it all off though, and still manages to be an exceptionally engaging partner for Blakely’s Algernon, a character famous for his desire to eat everything – including the play. Blakely plays this voracious part exceptionally well, delivering some of Wilde’s most memorable lines with grace and humor.

Earlier I mentioned Cornelis was Producer/Director/Lighting Designer, each of these roles is as important as the last in this show. The lighting is playful, neon, romantic. The actors have fun competing for their best light. Earnestly LGBTQ+ is a romp, a delight, and an imaginative liberation of Wilde’s most loved work.

Produced by Write Act Repertory and Gatehouse Entertainment at The Actors Temple, 339 West 47 St., NYC

                      ++ (Follow Link)  Theatre Scene Review ++
“Wackiness abounds as Wilde’s classic is updated to present day NYC with same-sex couples, a Grindr reference, fashionistas and nightclub-style dances.” The Importance of Being Earnestly LGBTQ+ is a theatrical alternative romp.
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The Importance of Being Earnestly LGBTQ+ Cast Members:

Preston Fox (John / Earnest), Clint Blakely (Algy), Kenon Veno (Gwen), Michael Morley (Cecil), Denise Turkan (Lady Bracknell), and Lauren E King (Miss Prism), Marie Anello (Dr. Chasuble), Samantha Randolph (Merriman / Lane), with J. Mahal (Dancer 1) and Lyman Heung (Dancer 2)

The Importance of Being Earnestly LGBTQ+ Creative Team

Author: Oscar Wilde
Director: Maarten Cornelis
Choreographer: J. Mahal and Lyman Heung
Producer: John Lant and Maarten Cornelis in association with Write Act Repertory and Gatehouse Entertainment
Press Agent: Daniel DeMello

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The Importance of Being Earnestly LGBTQ+ Related Links

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Actors Temple Theatre

Located at 339 West 47th Street (Between 8th and 9th Avenue)

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Maria Caruso’s greatest solo creations “Metamorphosis” (Final Perf Oct 31)

And as in the line from Milton’s ode The Hymn: “The stars with deep amaze, stand fix’d in steadfast gaze,” Caruso’s dancing appeared to transfix the heavens and the sold-out audience.”

Now Playing Saturdays 5 PM / Sundays 2 pm. For Tickets Contact Telecharge

Metamorphosis at Actor’s Temple Theatre

Hailed as one of Maria Caruso’s greatest solo creations to date, Metamorphosis, has been performed across the globe since its premiere at Israel’s Karmiel Dance Festival in 2018. A dance theatre work, heavily influenced by the artist’s ballet and modern vocabularies, the audience is immersed in the emotion of the creator’s true story and selfless expression on the stage.

The evening length performance took root after Caruso’s extensive work with the Martha Graham Contemporary Dance Company and the artistic evolution resulting from her performances of Martha Graham’s iconic solo Lamentation. Hungry to create an expansive work for the world’s stage that showcased the culmination of her over 20-year career as a classically trained ballet and contemporary dancer, Metamorphosis was born.

The work is a spiritual and emotional journey through life’s many transitions, and it is based on Caruso’s own experiences but broadened to be more universal. Throughout the performance the audience is immersed in Caruso’s drastic emotional shifts as she uses a series of costume changes into differently-colored dresses as a metaphor for turning points in her character’s journey.

“Embracing the gravity of the moment, Caruso unleashed in her solo a passionate portrayal of a woman knowledged in the heartaches and joys of life that was bursting with her anxieties, sadness, soaring giddiness and breathless embracing of love and desire.” – Steve Sucato

“…rage, sadness, sensuality. Caruso conveys these feelings with her entire body, which extends and contorts in ways that would leave us mere mortals breathless if we tried.” – Zachary Stewart (TheaterMania)

“At the last moment, Maria Angelica Caruso walks through the center aisle, striding past the fabrics tossed to the ground. Not only has she conquered the memory of a dancer’s past, she has also brought the audience through every step.”- Marcina Zaccaria (Theater Pizzazz)

Now Playing Saturdays 5 PM / Sundays 2 pm. For Tickets Contact Telecharge

Actors Temple Theatre


Located at 339 West 47th Street (Between 8th and 9th Avenue)

**Join Actors Temple Theatre’s  E-mail List for special discounts**

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“Housewives of Secaucus: What a Drag!” [Final Perf Oct 30]

“The Housewives of Secaucus: What a Drag!” Is now playing Saturdays at 8 pm. Final Performance October 30. Contact Telecharge to purchase Tickets

 The Housewives of Secaucus: What a Drag! is a dragulous new interactive musical comedy. The Housewives of Secaucus: What a Drag! spoofs those popular housewife shows you love to hate. Hold onto your wigs, because five queens of the Garden State are about to ‘werk-it’ at the annual Mad Hatters Brunch – competing for ‘Best Hat,’ ‘Woman of the Yearm’ and even mayor of ‘Beautiful’ Secaucus, New Jersey. Who will be unfriended? Who’s having an affair with who? Could the competition be… dun dun dun… rigged? Queens are spilling tea everywhere at this interactive extravaganza!

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Cast Members:

Cammerron Baits
Jacob P.S. Lemmenes

Ryan Stutz
Philip McLeod

Sam Brackley
Korey Harlow
Joshua Oates

 

Creative Team
Author: Anthony Wilkinson
Director: Hank Kiraly
Social Media: Alex Carter Van Pelt

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Actors Temple Theatre


Located at 339 West 47th Street (Between 8th and 9th Avenue)

**Join Actors Temple Theatre’s  E-mail List for special discounts**

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